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Albrecht Durer
Elsbeth Tucher
mk168
29x23cm
Oil on linden wood
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Albrecht Durer
Young Man as St.Sebastian
mk168
52x40cm
Oil on wood
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Albrecht Durer
Hans Tucher
mk168
28x24cm
Oil on wood
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Albrecht Durer
Felicitas Tucher,nee Rieter
mk168
Oil on wood
28x24cm
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Albrecht Durer
Portrait of a young man
mk168
29x21cm
Original panel
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Albrecht Durer
WQild man with the Coat of arms of oswolt krel
mk168
49x16cm
Oil on linden wood
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Albrecht Durer
Portrait of Oswolt Krel
mk168
49.6x39cm
Oil linden wood
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Albrecht Durer
Young Woman with Bound Hair
mk168
55x42cm
Oil on canvas
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Albrecht Durer
Young Woman with a Red Beret
mk168
1507
Oil n vellum
30.4x20cm
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Albrecht Durer
Portrait of a young man
mk168
1506
Oil on wood
46x35cm
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Albrecht Durer
Old woman with Bag of coins
mk168
35x29cm
Oil on linden wood
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Albrecht Durer
Portrait of a Young Man
mk168
1507
Oil on linden wood
35x29cm
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Albrecht Durer
Jako Fugger The Rich
mk168
Oil on canvas
69.4x53cm
1500
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Albrecht Durer
Michael Wolgemut
mk168
29x27cm
Oil on linden wood
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Albrecht Durer
Portrait of a Clergyman
mk168
41.5x33cm
Oil on vellum
Mounted on wood
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Albrecht Durer
Portrait of a Man
mk168
50x32cm
Oil on oak
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Albrecht Durer
Likeness of a young girl
mk168
423x294cm
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Albrecht Durer
Young man with a cap
mk168
298x215mm
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Albrecht Durer
Ulrich Stark
mk168
407x297mm
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Albrecht Durer
Agnes Durer Netherlandish Costume
mk168
407x271mm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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